Posts Tagged co-op

Split-screens and widescreens.

split screen header Split screens and widescreens.

Split-screen modes in videogames are often pejoratively labeled as the “little brother” feature. I think the association was always there, but only recently has the term itself gained popularity.

With the advent of XBLA, PSN, etc., console gamers are playing multiplayer titles the same way their PC counterparts have been for years: online. Supporting both online and split-screen modes is not a trivial task, so the older brother — much to the younger one’s assumed chagrin — ends up hogging the console. If a split-screen feature is present, though, both can enjoy the game at the same time, hence the “little brother” moniker.

Of course developing multiplayer games for a single screen has been around for ages. Shmups, puzzle games, rhythm titles, rail shooters, etc., often only require a single screen to accommodate all the participants. Other genres like scrolling beat-’em-ups or fighting games tend to lock or stretch the playing field to attain similar results. However, when a title requires a large physical separation between the players (such as in a racing game), console titles have generally relied on a split-screen approach.

Split-screens (especially with 3D games) are computationally expensive, so their implementation tends to be quite basic: each player gets his own personal rectangle of real-estate. In two-player games, this means dividing the screen into two portions with either a horizontal or a vertical line.

gears of war split screen Split screens and widescreens.

It might look pretty (if a bit wide), but I didn't enjoy Gears of War's horizontal split-screen co-op.

On older, squarish TVs neither the horizontal nor the vertical approach could really be that graceful, but the horizontal split became a de facto standard. It made sense since much like human vision, games were more horizontally oriented. It was the lesser of two evils.

With the rising popularity of co-op and the advent of widescreen HD TVs, though, I assumed this would change. My HD TV’s picture-in-picture option allows me to vertically split the screen between two visual streams, and it works quite well. After all, 8:9 is a lot closer to 4:3 than 16:4.5. It’s something developers have started to address — despite the fact that many current games are designed for a 16:9 aspect ratio — but split-screens still tend to be a bit of a mess.

To improve their implementation, I would suggest the following:

— Provide an option for either a horizontal or a vertical split-screen mode. Automatically selecting one might seem user-friendly, but it’s also a very divisive issue. Once split-screen is implemented, it should be relatively simple to support both modes, so why not let the player choose which one he prefers?

splinter cell split screen Split screens and widescreens.

I didn't know Splinter Cell: Conviction had a vertical split-screen co-op mode! I was going to wait a bit for its price to drop before picking it up, but now I'm tempted to get it just so I can play it with my roommate (hi Dave!).

— There’s no rule that says 100% of the screen real-estate must be taken up by the players’ viewports. This can often produce a warped and cropped appearance, so why not try to maintain correct aspect ratio (in either mode), and use the remaining space to display a minimap, the inventory, HUD components, etc.?

— The major issue with vertical split-screens seems to be the lack of peripheral vision. It’s a legitimate complaint, but one that also seems easy to address with a little bit of field-of-view tweaking. FPS games in particular have been reducing the FOV for quite a while now, and widening it for split-screen modes should be very simple to do.

Thoughts?

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Co-op storylines.

coopheader Co op storylines.

It might not be that apparent, but storytelling used to be a very interactive phenomenon. Dig a bit into its roots, and you’ll find plenty of examples/evidence.

NeverwinterNightsDM Co op storylines.

From the Neverwinter Nights website, one of the tutorials on how to use the DM/GM tool.

Interactive storytelling in videogames, though, is a bit different. Aside from Neverwinter Nights attempting to simulate a Game Master‘s campaign, the typical arrangement is to have the player(s) progress through a predefined arc. If no arc exists, then the game is usually devoid of any real plot. Many simulation games take this approach with few pre-determined goals and no real characters, drama, or concrete story-structure. The player has little to empathize with, and the game is excused as being tool for the story itself, i.e., the player creates whatever story he desires in his own head. This might work very well for gameplay, but it tends to force the player into becoming the sole storyteller and audience, which isn’t as universally appealing.

Of course I’m also a bit biased as I prefer finely crafted, authoritative stories. These afford little room for changing major plot points, but the minor details can still be left up to the player. For example, in the grand scheme of things, it makes little difference if the player takes a bus or a taxi to the villain’s lair as long as the villain’s identity is not variable. Change too many significant plot points such as that one, though, and the story begins to lose its cohesiveness. The player becomes aware that there is no “true” plotline, and he starts transitioning from the role of the audience to that of a storyteller who’s not really in control.

whatifspiderman Co op storylines.

When I was a kid, the noncanonical "What...if?" series were something of a guilty pleasure for me.

It’s a very gray area, and some people still enjoy an enormous amount of narrative freedom, but I find that it dilutes things as a whole. Instead, I prefer story-driven games to give me a large amount of gameplay freedom without presenting me with grand, “what-if” scenarios.

This has been a pretty popular approach in games, with some pulling it off better than others, but I haven’t really seen in done in any cooperative titles. Granted the popularity of co-op is fairly recent, and it’s a concept that’s still very rough around the edges, e.g., duplicate collectibles, constant teleporting to fit cutscenes, respawning glitches associated with trigger spots, etc. Despite these gameplay issues — and, in a way, as a possible solution to some of them — I’ve been mulling over a game that would combine a preset plotline with multiple human players. The idea behind it is to abandon the “single decider” role and make every character a part of the story, giving each one power to affect it.

A good destination for grafting this concept might be a Brothers In Arms type game.

Now imagine you and your friends as a group of Allied soldiers sent into enemy territory on a vital mission. Obviously you want to keep each other alive and fight as a well-oiled machine, but you also need to keep civilian casualties to a minimum. Here’s where each of the players begins to have an individual impact as the squad itself is punished and rewarded as a whole.

Let’s also assume that each player takes on a role of a specific character. The Staff Sergeant roughly plots the route of advancement, the logistics officer decides on the mode of transportation, while the translator is tasked with negotiating with the locals to acquire the necessary vehicle.

In addition to purely gameplay oriented aspects, though, this can extend to the plotline itself.

brothersinarms Co op storylines.

Although it was quite good in parts, Brothers in Arms failed to be the videogame version of Band of Brothers. Maybe the characters just didn't get enough screen-time?

Upon reaching their destination, the squad kidnaps a renowned scientist that’s notorious for conducting experiments on war prisoners. One of the characters despises him based on his past experience with liberating concentration camps, and wants to kill him right there and then. Another one of the troops, though, had his family snatched away by enemy forces, and the scientist promises to divulge information about his loved ones if he’s allowed to escape.

What would make this even more interesting is if these choices were (at least sometimes) presented each player in secret, ensuring that his companions were unaware of such pivotal moments. This could create a very intimate bond between each player and the game’s story, and make each one feel like a big part of it.

Now these kinds of choices would be difficult to balance for everyone involved, but they would make for a drastically more immersive experience. What’s more, they could also enhance the single-player mode with more human characters that don’t just act as obedient automatons. Instead, they could base their decisions on the player’s actions, with some randomization thrown in for good measure.

Group participation has been tinkered with a bit in MMOs, but those games tend to be stories of each player’s character, and group events usually boil down to fighting a big and powerful monster. There’s a lot more possibilities beyond just that, though, and I’m curious if any of these AAA games that laud their co-op campaigns will risk exploring them.

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