Archive for June, 2009

Co-op storylines.

coopheader Co op storylines.

It might not be that apparent, but storytelling used to be a very interactive phenomenon. Dig a bit into its roots, and you’ll find plenty of examples/evidence.

NeverwinterNightsDM Co op storylines.

From the Neverwinter Nights website, one of the tutorials on how to use the DM/GM tool.

Interactive storytelling in videogames, though, is a bit different. Aside from Neverwinter Nights attempting to simulate a Game Master’s campaign, the typical arrangement is to have the player(s) progress through a predefined arc. If no arc exists, then the game is usually devoid of any real plot. Many simulation games take this approach with few pre-determined goals and no real characters, drama, or concrete story-structure. The player has little to empathize with, and the game is excused as being tool for the story itself, i.e., the player creates whatever story he desires in his own head. This might work very well for gameplay, but it tends to force the player into becoming the sole storyteller and audience, which isn’t as universally appealing.

Of course I’m also a bit biased as I prefer finely crafted, authoritative stories. These afford little room for changing major plot points, but the minor details can still be left up to the player. For example, in the grand scheme of things, it makes little difference if the player takes a bus or a taxi to the villain’s lair as long as the villain’s identity is not variable. Change too many significant plot points such as that one, though, and the story begins to lose its cohesiveness. The player becomes aware that there is no “true” plotline, and he starts transitioning from the role of the audience to that of a storyteller who’s not really in control.

whatifspiderman Co op storylines.

When I was a kid, the noncanonical "What...if?" series were something of a guilty pleasure for me.

It’s a very gray area, and some people still enjoy an enormous amount of narrative freedom, but I find that it dilutes things as a whole. Instead, I prefer story-driven games to give me a large amount of gameplay freedom without presenting me with grand, “what-if” scenarios.

This has been a pretty popular approach in games, with some pulling it off better than others, but I haven’t really seen in done in any cooperative titles. Granted the popularity of co-op is fairly recent, and it’s a concept that’s still very rough around the edges, e.g., duplicate collectibles, constant teleporting to fit cutscenes, respawning glitches associated with trigger spots, etc. Despite these gameplay issues — and, in a way, as a possible solution to some of them — I’ve been mulling over a game that would combine a preset plotline with multiple human players. The idea behind it is to abandon the “single decider” role and make every character a part of the story, giving each one power to affect it.

A good destination for grafting this concept might be a Brothers In Arms type game.

Now imagine you and your friends as a group of Allied soldiers sent into enemy territory on a vital mission. Obviously you want to keep each other alive and fight as a well-oiled machine, but you also need to keep civilian casualties to a minimum. Here’s where each of the players begins to have an individual impact as the squad itself is punished and rewarded as a whole.

Let’s also assume that each player takes on a role of a specific character. The Staff Sergeant roughly plots the route of advancement, the logistics officer decides on the mode of transportation, while the translator is tasked with negotiating with the locals to acquire the necessary vehicle.

In addition to purely gameplay oriented aspects, though, this can extend to the plotline itself.

brothersinarms Co op storylines.

Although it was quite good in parts, Brothers in Arms failed to be the videogame version of Band of Brothers. Maybe the characters just didn't get enough screen-time?

Upon reaching their destination, the squad kidnaps a renowned scientist that’s notorious for conducting experiments on war prisoners. One of the characters despises him based on his past experience with liberating concentration camps, and wants to kill him right there and then. Another one of the troops, though, had his family snatched away by enemy forces, and the scientist promises to divulge information about his loved ones if he’s allowed to escape.

What would make this even more interesting is if these choices were (at least sometimes) presented each player in secret, ensuring that his companions were unaware of such pivotal moments. This could create a very intimate bond between each player and the game’s story, and make each one feel like a big part of it.

Now these kinds of choices would be difficult to balance for everyone involved, but they would make for a drastically more immersive experience. What’s more, they could also enhance the single-player mode with more human characters that don’t just act as obedient automatons. Instead, they could base their decisions on the player’s actions, with some randomization thrown in for good measure.

Group participation has been tinkered with a bit in MMOs, but those games tend to be stories of each player’s character, and group events usually boil down to fighting a big and powerful monster. There’s a lot more possibilities beyond just that, though, and I’m curious if any of these AAA games that laud their co-op campaigns will risk exploring them.

, , , , , , , , , , , , ,

2 Comments

How I got art for my game, part 1.

tomart1header How I got art for my game, part 1.

As a kid, I used to excel at various visual arts. I enjoyed sketching, drawing, painting, etc., and some of my work was even briefly displayed at a quite silly our-children-are-the-future event. As I grew older, though, my interest in art waned and I eventually abandoned it for other hobbies. These days I can draw a stick figure as good as anyone else, but that’s about the extent of my skills. As such, I definitely needed some help with the visuals of Tribes of Mexica.

Read the rest of this entry »

, , , , , , , , , , , , , , , , , , , , , , ,

37 Comments

Jason Rohrer gets a job, and the bitching begins.

toolheader Jason Rohrer gets a job, and the bitching begins.

Jason Rohrer made a big name for himself at the gamma 256 event with the release of Passage. It was a great use of the videogame medium, conveying a message and evoking emotions. It also created enough mainstream buzz to garner Jason a very interesting article in Esquire. His humble and spiritual lifestyle made him an indie darling, and no one very few people dared to say anything negative about him.

Not too many people seemed to notice that Jason wasn’t just a gentle “hippie” developer, though. For example, his article on non-randomized, “infinitely replayable” single-player games was a cold, hard look at game mechanics. The piece was almost an antithesis to the game that made him famous, showcasing his range as a designer.

jasonrohrer Jason Rohrer gets a job, and the bitching begins.

The man himself.

In recent days, it was announced that Jason would be joining Tool, an advertising agency. At first glance, this seemed like a good fit. Jason has proven himself a very creative individual, capable of using a medium in unique and unexplored ways. Logically speaking, this makes him a potentially great fit for advertising, and kudos to Tool for recognizing it.

However, what I failed to initially grasp is that this also makes him a sellout.

The grumbling in the indie community has already begun, with the most notable bit coming from auntie pixelante. On her Twitter feed, Anna posted these three consecutive messages:

http://bit.ly/TOOLROHRER jason rohrer your parents are rich you don’t have to sell out. i’m sure TOOL will be a good fit for you though

“i see video games not as addicting time-wasters, but…tools for communication and expression” you’re going to make ads for fucking verizon

jason rohrer won’t plug in a refrigerator for fear of killing chinese children but he apparently has no qualms about selling refrigerators.

Really?

OK, let’s break down this vitriol a bit:

  • First of all, glad to know some of us are not above the low-hanging fruit that is calling Jason Rohrer a sellout by referencing “TOOL,” the name of his new employer.
  • How is not mooching off your parents a bad thing?
  • What does Verizon have to do with Jason’s view of videogames?
  • Where is it stated that Jason will be creating ads for refrigerators? Isn’t that a bit presumptuous? Also, when did he state that ridding the world of refrigerators was his life goal? Maybe he’s just someone who follows his own personal beliefs without shoving them down the throats of others?

I mean, isn’t this all just a bit silly? The guy has made a modest living off of creating small — and for the most part — freeware games. Obviously the donations he received for these titles have not kept him financially secure. Wanting to improve his monetary situation, he’s found a gig at a company that seems to value his skill-set. The details of this job are unknown, and Jason has not stated anything about the future of his games.

And yet, this is enough to crucify him?

Seriously, get off your high-horse people and stop shitting on a talented guy who’s done nothing but try to enrich the culture you hold so dear.

, , , , , , , ,

14 Comments

So why XNA?

xnaheader So why XNA?

Well, as the title suggests, I’m currently developing Tribes of Mexica as an XNA game. Considering the somewhat poor sales of XNA titles, this might seem a bit perplexing. After all, no matter how much one enjoys creating games, it’s nice to get paid as well.

So why did I choose to go with XNA?

Well, a couple of reasons, actually:

  • An XNA game is pretty much guaranteed to be released, and consequently to make some money. This might be a small consolation, but it’s hard to get any guarantees in the world of publishing.
  • Although I’ve sporadically developed PC stuff, most of my professional career has revolved around very limited devices, i.e., mobiles/handhelds. The Xbox 360 is a beast by comparison, and XNA’s entry cost is about as low as it can get. The alternative is licensing a professional dev kit, which can be quite pricey and time consuming (and never a guaranteed thing). With XNA, registration is done online and only costs $99 USD.
  • Tezcatlipoca So why XNA?

    The shady god Tezcatlipoca, one of the pivotal characters in Tribes of Mexica.

  • The recently renamed Indie Games Marketplace is based on self-publishing, which means that you get to retain your IP and all the rights to your creation. If it flops, no one will stop you from tweaking it and porting it to another system.
  • Aside from CarnyVale Showtime, Microsoft hasn’t really promoted XNA games that much. Now most of them (at least as of right now), are pretty rubbish, so that’s not really surprising. The option for future promotions is still there, though, and the upcoming ratings system might help as well. Regardless of all that, having your game available on Xbox Live! is still a great source of exposure for a brand new developer.
  • Another possible reason why promotions haven’t been that prevalent is that the best XNA games have a tendency to make their way onto Xbox Live Arcade, e.g., Schizoid and The Dishwasher: Dead Samurai. Publishers seem to be keeping a keen eye on these titles and have shown a willingness to support XNA developers.
  • DreamBuildPlay is a good exhibition of XNA games, and has some nice prizes to boot.
  • There are 200+ games available on XNA right now, and although that might seem like a lot, it’s not nearly as many titles as there are on the oversaturated iPhone App Store. The opportunity to make a game that stands out and gets attention is still quite good, and things will probably stay that way at least for a little while longer.

Next Tribes of Mexica post.

Previous Tribes of Mexica post.

, , , , , ,

8 Comments

Tribes of Mexica, the beginning.

tomcoverheader Tribes of Mexica, the beginning.

I’m making a game. Here’s a video of the tech-demo/proof-of-concept:

The basic premise of Tribes of Mexica evolved from kicking around a few ideas that dealt with creating gameplay mechanics from radial menus. I have a couple different takes on it, actually, but the one I’m currently focusing on is a classic match-three approach. The reason for this is that it’s a relatively simple and intuitive concept, but it still provides me some room to be unique.

Of course the fact that match-three is almost a genre unto itself means that I’m not going for 100% originality. And that’s OK, too. Very few developers seem to be willing to point out their inspirations, and it’s a silly phobia. Also, too many titles are credited with being original when they simply use an existing formula with a new element or two. Instead, I’m committed to creating this game all the while calling a spade a spade.

tlalocconcept Tribes of Mexica, the beginning.

Concept art for Tlaloc, one of the more significant gods in Aztec mythology.

So what’s my inspiration? Well, I think Puzzle Quest will draw the most comparisons, and that’s fairly accurate.

Soon after prototyping the ring-rotation, though, I realized that it’d be tough to make a pure puzzle game out of ToM. The interconnected nature of all the coloured elements meant that it was virtually impossible to visualize ahead more than a move or two. Typical links/chains/combos were possible, but they were usually a result of luck, not skill. The radial design also imposed various limitations that are not an issue with static, grid-based puzzlers such as Bejeweled. Still, I was fond of the core concept, so I decided to build on top of it and turn it into a combat game of sorts.

Much like Puzzle Quest, each attack fills up a colour-coded “spell” (currently indicated by the Xbox 360 controller’s face buttons), but I think that’s where the similarities end. ToM is a real-time game, requiring constant analysis and input. In fact, I think it’s more akin to Patapon than anything else; it’s an abstraction of an RPG battle system coupled with an interesting input mechanic.

The one-on-one nature of ToM also allows it to draw upon some elements found in traditional fighting games, and I’ll try to incorporate more of those as the title progresses.

Also, until we give the Incubator Games website an upgrade, I’m going to chronicle the whole experience here on Significant Bits. It’ll allow me to talk about the evolution of ToM’s design while bringing up a couple of other topics such as contracting and promotion. Too often such talking points are relegated to sentiments of “You should do it, and it’d help if you did it well,” though, and that’s not very helpful. Instead, I’ll strive to provide hard numbers and some personal opinions on the overall experience. Hopefully you’ll all find it interesting.

Next Tribes of Mexica post.

, , , , , , , , , , , , , ,

7 Comments